DARTON - LONGMAN + TODD, 2006
For Paul Murray, OP who helped so much with this alphabet and who helps so much in general
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| Pacific
Ocean Pain Paradise Paris Peninsula | Photo Pimple Poet Poland Prayer | Priest Principle Processions Prose Psalms | |||||||||||||||||||||||||
Pacific Ocean
At the ocean the scene is lonely because the expanse is vast,
nothing is named, and very little human history has happened here. Things are
just fine here without any of us human beings around.
The ocean is not only beautiful, vast, mesmerizing. I find it also terrifying.
Not in the sense that it might overrun its limits, climb up the bank and sweep
me away. No, terrifying in the sense that it is just always there and rolling in
and out in its huge way as it has done just like this for tens of thousands of
years. I do not know the long-term geological history of these parts, but there
is a definite sense of it all being and looking like this, apart from the
comparatively few puny houses, for thousands and thousands of years. Every day
only this - the tides in and out, storm and sun and shore and sand, the gulls
feeding and flying so, the sea lions unchanged in their habits during millennia.
It is terrifying. Things are just fine here without any of us human beings
around.
Pain
How am I to account in my heart for the fact that pain far worse than mine is oppressing people by the hundreds of millions? That a comparable pain may touch my life one day or may not? Is there some hidden law at work which explains these differences?
Paradise
The question, or at least the tone with which we tend to ask
it nowadays "Why am I here? What is the purpose of my life? What is the meaning
of history, of this whole created order?" - is a question that arises with a
sting as a result of sin and the distortions in our perception that sin
introduces. When life in this world, with its difficulty in following moral
principles, seems to me like a lot of bother on God's part just to unite us to
himself, then I know that I have lost the original wonder and insight of
Paradise. For if I could somehow wa1k again in the first Paradise, I would
experience the magnificent abundance of the created order and the thrilling
promise of a history wholly guided by God. I would experience this as
explainable only by Love. Only Love, only divine Love, with its limitless
delicacy, could and would create a world like this and place in it his own image
and likeness. Image and likeness of God - that is what I am and that is what we
are.
So there is a sense in which our salvation from sin will show itself as a
restoration of the wonder of Paradise, where life is no longer experienced as
something of a bother and where doing the will of God is no longer a burden and
a chore. No, just as in Adam I sinned, so in Christ, the new Adam, I am come to
a new life: a being in the body and on the earth in such a way that the only
explanation is Love, living a new history which derives entirely from him and
whose characteristic mark is entirely doing the will of the Father in joy and
trust.
Paris
When I am in a city and sit quietly and alone in my room in an effort to pray, I somehow begin to feel all around me the thousands of people, and it just seems odd that I should sit quietly in the midst of them. From my window in an inner court I see at least a hundred windows of other apartments, and I can't help thinking something like, "Well, here we are on top of one another." There is nothing wrong with it; there is even something touching about it. In any case, it is hard to ignore; and it takes over my prayer; and I'm not praying; I'm thinking about all this. Maybe I go off in this direction because I was raised in a small town and in another country, and it is so different from where I find myself now. Where am I when I am not in Paris?
Peninsula
Italy as a peninsula - you feel it when you're there, even if few of us feel much of anything like that any more, in our culture dominated by technology. But with a little attention, the effects of the peninsula can be noticed all around. One sea is never far away and the other never much further, land thus taken less for granted than in the great, vast expanses of Europe and Asia. You can feel Italy by contrasting it with what it feels like when you're way up inside part of Europe - for example, in Poland, around Krakow. Then there is the Oregon coast and the huge Pacific. You are not really seeing or feeling that sea if you do not also somehow feel a huge and gorgeous continent at your back. This is very different from looking at one or the other sea in Italy - which, as I say, is a peninsula.
Photo
I am gazing now at a photo of Natalie and Nathan, my niece
and nephew, aged eleven and eight. Will those beautiful children live to be old
before they die? Yes, of course, I hope so, with all my heart. And so then, how
many further ways of looking will come across their faces? What of what I see
will fade? What of what I don't see now will come into their glance? Can people
who look like this grow old? Of course, we know they can and will, but, hard
though I try, I can't see how when I can stare like this at the fresh faces of
the young. And did people, old now, once look this fresh and beautiful? They
did, of course, we know that, but how hard it is to see. And all the while ...
within ... invisible ..., it is always the same me, the same she, the same he.
Our looks go on changing around a solid, invisible core.
It is a comparatively recent development for the human race, this possibility we
have to stare at a face in a photo, inc1uding our own. It is far different from
a mirror, where what we see is always present, always
Pimple
When I was in my late teens, I found myself in the lucky
situation of being able to stay for three weeks in my brother's apartment in San
Francisco. I had determined that I would learn about the world while there, and
so I set off each morning systematically walking the streets, planning in this
way to see a good deal of the city and to drink in its spirit. I did so, but I
am not writing about that here. I am only remembering a funny line that an old
philosopher-bum said to me in a short conversation we had on the upper end of
Grant Street. Re had managed to condense into one short phrase what apparently
was his basic insight about the mystery of life. It was enough for him to repeat
this phrase, interspersed with sighs, not especially dramatic. Re kept on
saying, "I'm just one pimple on the ocean, one pimple on the ocean."
I knew his meaning, of course, but what caught my attention was this use of the
word pimple. (From the dictionary: "A small hard inflamed spot on the
skin, or anything resembling a pimple, esp. in relative size.") It seemed such a
striking way to make the point that each of us is so small when set up against
the vast world, the universe, in which we find ourselves. At the time I was not
especially moved by the content of his thought. In the late teens one feels big,
not small. But I did appreciate his manner of expression, and I have quoted him
often since. Gradually, because of the memorable form of expression, its content
entered my consciousness as well.
Now I pronounce it as an insight, as a means of taking my bearings: I am but one
pimple on the ocean. Behind me stretch the billions of years in the place where
I now am. Before me stretch the planet and the universe - lasting, lasting,
lasting long after humans are gone. If I try to bring things down to a human
scale, I am still only a pimple, a particle, a blip. One civilization succeeds
another. Billions of people like me alive before and alive now ... for a while.
Is the God of Jesus possible in all this? Is Jesus as God possible? Has God in
Jesus really come among us as another pimple on the ocean? This is what we
believe. But put this way, the content of Christian faith appears even more
amazing than anyone could ever have imagined. In one pimple on the ocean the
infinite being of God is revealed!
Poet
The poet is one made to see, really to see, and then to say, really to say. But what if nobody listens? It has probably always been that way. So this too will be a part of what is seen and said. Yet the poem uttered has its force in the world, like the word the Hebrew prophets once proclaimed. Israel believed that the prophetic word pronounced, which carne from God, was a three-dimensional event, and not merely indifferent sounds issuing from the throat. Such an event set other events in motion, moving in a way they would not have moved without that word. Reason to fear the prophetic word or to hope for a good one! What really has force in the world is right living, the living that is event. This sounds as if I may be speaking of morality. Of course that is a part of it, but I mean something much more pervasive - the whole of every day and every hour gracefully seen and then lived and perhaps occasionally also said.
Poland
Wherever you go there are surprising personal connections, and
all things eventually touch. Only a little attention is required, and you can
begin to trace the trails.
It was late in August when Maciej and Daria and I left Bydgoszcz and drove to
Gniezno, the old capital of Poland when it was first being
Prayer
I speak in my prayers to Mary and say: "You, the mother of Jesus, are the mother of God who became flesh for us. Beg him not to abandon the work he set out to do, beg him not to give up on the race of which he became a part. Remind him of his Huge Deed and tell him that for some reason we need more help so that its force can be extended to us. Tell him of me who, though a sinner, recognizes the beauty and generosity of his plan to create the earth and the life of human beings upon it. Tell
him that there are many sinners like me who nonetheless still see and believe in his plan and who beg him for strength to be lifted up from their sins. Ask him, Holy Mother, if maybe the repentance of a few might not be counted as the repentance of us all. Wasn't that in fact what he himself already did when as the sinless one he became sin and begged mercy from his Father in the name of us all? So then, tell him, Holy Mary, that never has his race needed his attention as it needs it now. Implore him to forget not the work of his hands."
Priest
One evening Nicolas (age nine) interrupted a dinner
conversation that was going in quite another direction and announced, "I have a
question." Then he turned to me and said, "What's it like as a priest to say the
words of Jesus at Mass, 'This is my body'?" I knew that he needed as clear and
complete an answer as possible and that he expected it to be brief. So I told
him that you could feel in that moment Christ completely taking possession of
you and that you experience his total love for the people, his desire to give
every bit of himself for their well-being. You feel it especially for the people
that are there in the church but you know also that this love is for the whole
world, for everybody and for everything in the world. In another direction you
also feel in yourself Christ's love for his Father, burning like a roaring
furnace. You understand that the reason he is offering his body and blood is
because in this way he wants to honor his Father; he knows that the Father wants
him to offer himself for the world in this way; and he gladly does it, so full
of love is he.
I could see that Nicolas was made happy by this answer. The
smile that spread quietly across his face when I had finished
betrayed a wonderful understanding, a kind of knowing satisfaction, almost a
"yes, I thought so." He had told me the week before, with tears in his eyes,
that he wants to be a priest when he grows up.
Principle
What is so frightening about the present course of human history is that there is no principle of unity any longer operative. Countless thoughts a good many of them noble and true and sincere - lie scattered over the face of the earth but with no force that can any longer pull them together and purify them. Only in Christ can this be found. Good apologetics would demonstrate this and (re)awaken the hunger for it in the human heart.
Processions
Christians believe that what God once accomplished long ago
for his people is always available to each subsequent generation of believers.
That availability is made active principally through a liturgical reenactment of
the saving deeds of God. One way of understanding what God has done for his
people - and thus what is still available today - is considering the divine
action as a series of processions in which God himself leads his people to
salvation. Thus, there was the procession out of Egypt through the Red
Sea at the Exodus, the procession of the 40 years in the desert and the
giving of the Law on Mt. Sinai, the procession across the River Jordan and
into the promised land. AlI these processions shift key in Christ, who leads his
faithful followers in procession along the path that he himself trod: in
the exodus from death into the promised land of eternal life, an exodus from
this world to heaven.
Monks are always having processions. As a community, whenever
we go from one place to another, we don't just do it helter-skelter; we go in
procession. We process into church; we process out. We process to a meal. We
process to our cells. We process to the cemetery. We process around our
property. I am glad for all this marching about. Of course, it could become too
formal; we could make it over-serious; and then it would just be weird. But I
experience it as an extra in my life, something in my day that I would not have
were I not a monk. And so I am reminded again and again that I am not just
vaguely moving through life. In my life I am inserted into the definitive
procession of Christ. I am part of a huge story, a huge movement, a definitive
exodus. I am going somewhere.
Prose
On the level of linguistic metaphysics, prose is always within poetry and springs from it. Poetic talk is the more radical, the more original. Prose is commentary and interpretation of the more dense poetic word. But we forget this poetic frame, and we take up poetry to interpret it as if it were prose.
Psalms
For decades now and for every day within them I have been
singing the psalms - scores and scores of them, hours of each day. I sing
them all every one - and then start them all over again. I have become a
long line of words, an arc of sound, a tone that tries to span the
dividing spaces that keep the world from what can save us.
I do not get across. I call from the far side. I stretch all my
being into the narrow lines that say those right and only words, words that
every day trace our fall and point the path of
return. I crawl over
every word.
I grope my way over and around every syllable, each phrase.